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Wajda's later commitment to Poland's burgeoning Solidarity movement was manifested in Man of Iron (1981), a thematic sequel to The Man of Marble, with Solidarity leader Lech Wałęsa appearing as himself in the latter film.The film sequence is loosely based on the life of Anna Walentynowicz, a hero of socialist labor Stakhanovite turned dissident and alludes to events from real life, such as the firing of Walentynowicz from the shipyard and the underground wedding of Bogdan Borusewicz to Alina Pienkowska.In the mid-1960s Wajda made The Ashes (1965) based on the novel by Polish writer Stefan Żeromski and directed several films abroad: Love at Twenty (1962), Siberian Lady Macbeth (1968), considered one of his most personal films, using the technique of a film-within-a-film to tell the story of a film maker's life and work.

Tadevsz Lomnicki plays an impressionable young Warsaw resident who falls in love with resistance leader Ursula Modrzinska.

The passion they feel towards their cause is inextricably entwined with the intensity of their feelings towards one another.

The director's involvement in this movement would prompt the Polish government to force Wajda's production company out of business.

For the film, Wajda won the Palme d'Or at the Cannes Film Festival.

Sus primeras películas forman una trilogía en la que se muestran las tensiones y esperanzas de una nueva Polonia que emerge de las ruinas de la II Guerra Mundial para posteriormente seguir tratando la creciente agitación política de su país y el nacimiento del sindicato Solidarnosc de Lech Walesa.

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